Final Presentation & Script

Slide 1
Hello everyone!

Slide 2
My main interests relating to illustration are in picture books, historical and/or theatrical subject matter, and by hidden visual narratives I mean imagery that you can look further into and notice things that may be going on in the background of a story - in the detail.

Slide 3
My aims before starting University were to utilise my creative skills so that I could work on professional projects and earn money from doing something I love. Working with like-minded people was something I was very excited about which is why I chose an Art specific Uni. 

Slide 4
Wordless narrative is a big aspect of my practice and what I based my COP project on. I'm really interested in the link between words and images.

Slide 5
Example from my COP project. I showed people the image of a scene and asked them questions about what could have just happened, or what might happen next. From these answers I designed a character and wrote short stories. I wanted to demonstrate text coming from imagery, rather than imagery coming from a text. This is something I am really interested in and try to think about when creating imagery.

Slide 6
Scenes are a main aspect of my practice, which is something I realised during my COP project. It helped me a lot to define these aspects as I could then think about them individually, so within a scene I could think about how to create depth and make the best use of composition.

Slide 7
More from the Wizard of Oz.

Slide 8
I have realised that research is very important to me. I want to make sure that if I'm working with a particular subject matter that the details are correct. I also really enjoy research as this is when I start to get ideas. This is where a lot of my inspiration comes from.

Slide 9
I have always been a bit scared of character design because I didn't think I could do it. This year, because I have embraced the fact that I enjoy children's picture books, I can be a bit more playful and try out different ways of drawing people.

Slide 10
As you can see here - at the start of this year I tended to use just shapes and rarely experimented with features or expression. This is something I have been working on. They are both the same sort of idea and subject matter, but I definitely thought more about potential narrative and tone in the newer one.

Slide 11
Another project that allowed me to think about character was this one. I looked at women throughout history and developed each one into a singular image. I started to think about the historical setting in relation to modern technology, which is an idea I really like and one I might continue with - picture book?

Slide 12
Linking to what I said before, I am really enjoying the process of thinking about a whole world when designing a character or scene. I want them to feel as though they could exist outside of the image.

Slide 13 &14
Whilst making book proposals I noticed how useful roughing actually is. It has always been an important part of my process but this year I really thought about the book as a whole and how I could use more dynamic compositions to keep a reader's interest.

Slide 15
One of the most exciting things for me this year was having my work published after I won a competition for the Stratford Literary Festival. I really enjoyed the brief and it was slightly different to what I usually do - hand written type and more colourful.

Slide 16 & 17
Another competition I entered again this year was the Folio Society Book Illustration Competition. I found it a lot more difficult this time round as I had to consider a darker tone. This was the when I started to  think about lighting. Last year I think I was long-listed because my work was intricate and delicate which works well for Jane Austen. This year I was much more out of my comfort zone.

Slide 18
These are the binding designs for this year and last year's submission. As you can see I went for a similar design on both. I actually really like working with the graphic shapes, which is something I don't do often. Lighting has become something I use a lot now to describe atmosphere and I thought I could use this effectively with a bold cover too!

Slide 19
What I'm working on at the moment! My design was chosen for the Left Bank Opera Festival's promotional material. I was really excited to get this commission because I love theatre and performance and want to do more work in this area. I had a meeting with the art director who was very keen to help me! He wants to put a feature on me and my practice in the programme for the event, which is a great opportunity to get some publicity!

Slide 20
Different applications, seeing what a working relationship is like! Potential for more work.

Slide 21
I feel a lot more like an illustrator and less of a student now. Exciting to work wherever I want and on projects I enjoy! I will miss the comradery of Uni.

Slide 22
Thanks for listening! Good luck guys.

Creative Presence - Design Boards

Professional Portfolio

Business Cards

Mock-up

Before the final show, and for the Opera Festival, I wanted to have some business cards printed to give out to people who see my work, or just have a chat with. Using one of my Jungle Book images, I wanted to show that I enjoy working with tone and narrative, but not overcomplicate the design. I took the corner of my illustration and added my handwritten name header I use across my social media platforms and on my website. I kept the back of the card really simple with just a tag line and some details on there.

I have ordered cards to be delivered before the final show!

Front

Back

Twitter

After getting some recognition for my work on twitter, I thought it would be a good idea to make a profile! Before now, I thought it was a bit pointless to join twitter but I think in a professional setting it could be a good way of networking and getting my name out there.

Author - Description of my Work

'I really like your work. It has a melancholic feel with a bold yet dreamlike quality. It reminds me eastern European animations that used to pop up on channel 4 when I was a kid and the stop frame Moomins series. The colour palette you use is soothing yet grabs attention and there is a stillness of action, or an action of stillness, in your pictures. There is the time of energy potential. I like the detail and the depth but at the same time it's simplistic and in the foreground.'

An author I am working with on a picture book emailed me a great description of my work amongst our conversation about tone. It's so interesting to see how people interpret my illustrations. To me, my practice is a combination all the things I enjoy and am interested in, but aesthetically it's difficult to pinpoint the foundation of its development.

Getting external input and feedback on my work is helpful to me because it helps me to visualise something from another person's point of view. Often I feel as though I'm looking at my own work for too long and it's difficult to take a step back. This is especially important when collaborating on a project.

Creative Manifesto

Sophia Watts is an illustrator from Nottingham, currently based in Leeds/UK. She is about to graduate from Leeds Arts University with a degree in Illustration.

Taking inspiration from historical or cultural references, she works mainly with colour, shape and texture to execute her ideas. Creating a visual narrative is an integral part of Sophia's practice and can usually be found within a single image, depicting moments within a story.

From a young age, children's book illustration is an area that Sophia has been fascinated with, and a field she enjoys working in. As well as publishing and editorial illustration, briefs of a theatrical nature have also always appealed to her. This interest which began outside of her creative practice has informed the way in which she makes images. Pacing a narrative, describing a tone/atmosphere, and including details of costume and scenery are all elements that are considered within Sophia's work.

For the Left Bank Opera Festival I had to send over a photograph and a biography for them to include in a feature on my practice that will be in the event programme. I already had basically a shorter version of this, but I feel that I know how to define my practice a bit more now!

Publicity - Left Bank Opera Festival

Website Feature

The Northern Opera Group ran a feature about me on their website, including my updated biography and a link to my website.

Twitter Promotion

My first of three designs for the opera festival performances have been shared on social media, as well as an image of my face, which is a bit strange but it's nice to get recognition for my work!

Who I would like to invite to Hanbury Part 2

I have been thinking about who I would ideally like to discuss my work with at the next Hanbury Hall event. Last time I enjoyed the talks given by Big Active and Blink Art, it was interesting to hear about their working relationship. I would like to see them again, and also invite more publishers and people who could potentially give me work. The Artistic Director of the Northern Opera group expressed an interest in coming to the event, if he did so he could bring people with him.

Other people I would like to invite are -

• Walker Books UK
• Penguin Random House (ahead of my placement, maybe the Art Director?)
• Folio Society
• National Theatre
• CIA agency
• Heart agency
• Other illustration agencies
• Nobrow

Laura Carlin

• What exists around you when you're younger.
• A lot of editorials come from America.
• Sketchbooks are important!
• Get rid of things that don't matter.
• Feeling inspired all the time is a myth.
• Importance of being playful.
• Don't just illustrate the text, think about what's not written - before and after.
• Don't worry about making a living from illustration right away.
• Survived without social media.
• Reality & Imagination are what makes kid's books good.
• See the book as a whole - roughs.
• Newspaper club - large format printing.
• Ceramics - telling a story around the room.
• Tile murals - multiple mediums.
• Bologna Book Fair - Italy.

Left Bank Opera Festival

I have been in contact with the Artistic Director of the Northern Opera Group about my winning submission to design their promotional material for the Left Bank Opera Festival during the summer! This is a very exciting proposition for me, as I enjoy theatrical subject matter so much. In our meeting, he spoke about running a feature on my work in the programme and potentially running a workshop during the event for children! He also spoke about working together in the future on other projects and coming to our degree show. I felt very positive after the meeting and am happy about starting a working relationship in this way.

Stratford Literary Festival - Young Poets

I've been emailing Annie (Director of the Stratford Literary Festival) about my placement during the summer for Transworld Publishing (Penguin Random House) in London. She also added in the art director who I will be working with during my time there. I plan to take my portfolio with me to discuss with the art department, I want to make the most of this opportunity!